Today is a wedding ceremony. A marriage of possibilities. My cousin has exchanged vows and time will study and tell what it has seen, heard and known under God. Black life like black bodies have long been a surrealistic feast for the voyeuristic eyes of fetishists and fantasists. Joseph Conrad could not open his eyes even behind the safety of his pen, to straddle his imaginative reconstructions of the monolithic burden bearers in the heart of darkness situated in the continent of his mind’s perception.
Baldwin generously invested the deformed and fragmented faces of exotica with the unusual idea that they were worthy of being depicted as fully human, even in a foreign land. The continent is not a country. And a country in this context is not a geographical destination. The poetry of Baldwin is not merely the words sentenced to a page but rather the lives affirmed by his words dancing to the tune past the margins of hate and redeemed by love. In his writings love is the great pacifier even when it sets fire to our expectations and challenges our notions of who is worthy of grace, and the horrors that transgress the invisible inhabitants who are generational custodians of a manifested multifaceted curse with wings.
Barry Jenkins painted the poetry of James Baldwin beautifully in ‘If Beale Street Cold Talk’. Next week lovers around the world will serenade each other with cards, gifts and kisses flavoured with wine and chocolates. Babies will be conceived. Lies will be ever more creative. Truths with be earnest and unsparing. Death will still be in business. Card or no card. Life will go on. Love in its bittersweetness covers the multitude and will endure the fall out. A torn page is the pity that a chapter can afford to lose.
“Love takes off the masks that we fear we cannot live without and know we cannot live within. I use the word “love” here not merely in the personal sense but as a state of being, or a state of grace – not in the infantile American sense of being made happy but in the tough and universal sense of quest and daring and growth.”
Wettest eye watering skinned brother on the inside, arachnid crawling out, side eyed, hunger bites the heart of fear, and the killer, mother knows best, knows not the fright that drives him to stomp small creatures and their secrets, like vaporous confessions that rise up with death.
Smoke city. A body burns, like nations, like bodies burning nations. Iraq hid in flames of refutation.
Web swinger, entrapped in the ganda, hung to dry on the rope that pulled him up to the measure of Spider men, climbed into company love of misery and a tail wagged for the milk of magnesia and human kindness, as mythical as the love that murders with good intentions to broadcast.
Charity. Just spare me the charity of words like the vain in life who speak of the ignoble dead, fishing in blood rivers. Dead as purpose of Pompey. Restless in peace.
Patriots are foreigners too. Like poets. Dead ones seem to outlive the living. Their words are the ideas that dreamers cling on to for a fictive future.
The living are dreamers at dawn. Walking on corn toes. Curved. Running the zig zag. They are pragmatic with crayons. And they laugh loud and unclear like the noise they speak.
Home is where the heart is heavy. If you cut through the chatter and chit it’s all bullsweat. Now if you knew where to bury the living, I’d hand you a shovel. No words. No songs. No honour to purchase.
They’ve got that one day exclusive on offer. Get your love at half the pain. All foreign currencies accepted. Faces are guilty but eyes are blameless.
Black bodies. Gold plated hope behind second skin. Black holes for weeping bullets, scream behind screens, unheard trauma scares dreams into a silence so loud that it hurts to hear. No fears to trace, to find the trail of tears that triggers the trigger of cowards and all that we choose not to see. All the cows we milk as they moo. Not yet found like Mother’s love. Away from home. Cold meat on a warm climate. Touch it. Pull. Tear it apart. A human lives behind it. Gold for skin, not cuddled, so dark as to be unseen. So much of night lives in you. Lights up your days. A paradox of mourning. You have known all your life how bright invisibility is. So shiny you didn’t need virtue to polish the skin that hides your identity. When is a human a being? In the womb of contemplation is a seed travelling the possibilities of being alive in a world not yet born.
Like daylight on wings, a year has passed. Facebook didn’t bake me a Cake but its cool. A lot of small deaths have happened since that day. Usually the face stays the same but I find that the neck changes. Oh and I’ve discovered more strands of grey amidst new faces and adopted words. There have been a lot of changes in relative terms and even my own eyes have concealed pertinent things from me when its been necessary to do so. The main thing about the passing year is where I find myself in my ongoing story. I’m happy to say that after a year, a deep wound has healed. The dressing is finally off, and the emotional scar matches the one on my forehead. Its distinctive but not too big. I can’t say for sure that time rubbed the salt in it. Time and I don’t have that type of relationship. Its hands off and head up. I’d say living has a lot to do with the choice one makes to dig a grave or dig the foundation on which to rebuild after the fire which has all but consumed the life behind the projected image that is perceived by everything that leans against it. Long sentences be damned and sentenced to death but not so easily. Death is as passionate as life, but its not as picky. The meat and potatoes of life is first you do what you must to survive. Then once that mountain has been conquered, you do what you must to protect your heart (your love). Then you live forward. By limp, or by crawl. If the back is bent, and that hump is conspiring to keep you down, then you find something to hold you up and steady. Then you walk. In time you may run again, and flying isn’t as far gone an idea if you can pick up speed. Love is a kind of regal audacity. The lighter the load on the heart, the heavier the love. I’d like to believe that I still have the capacity for the heavy love that knew no boundaries. Once was. To see. Once again. To be.
Tomorrow will not be a work in progress before a refrain,
(before) the rain settles, and snow falls, and they raise a hand to strike my cheek or wipe my brow. I hold the pearl in my eye (the other hand), and plant the seed of graceful song, and rub the soil between soft palms (when we see eye to I), before lost trains of thought, we wore our best years at a distant glance, and thought we’d meet on Andalusian hills, to dine with dreams we didn’t make, to share stories we haven’t lived, and paint pictures we could scarcely imagine. Tomorrow will not be an excuse for today’s unfinished business, talkin bout how good it feels to get another chance at life’s poker table, to play your five stringed instrument, like a child making three special wishes by a fountain, with your lungs pumped full of hot air, and the mercy of the wind at the back of your neck, to dabble again, and maybe with a little lady luck, razzle, dazzle a fortune born of sweat beads and high blood pressure, and fly you away on a ready made bed of thornless roses, with a song in mind for when you cross over, hoping that the hill won’t roll over, when tomorrow strikes you and your waterfall resolutions, slippery, just as quickly, money like water trickles through fingers, pressed together, pockets shut tighter than fists, breath held longer than destiny’s late shifts, but you don’t feel much younger than first love, now dare you ask older, wiser, brother, sister, friend in disguise, what the wind behind your back is saying, when she ain’t blowing you away. The voice I hear says, “What you don’t do today will not deliver you tomorrow”, as surely as one day bears no resemblance with another. Tomorrow will be decided today.