“You’re jealous of God!” That’s what the voice inside his head told him to say to me. Of course its a lie. Why would I be jealous of a sick man who is not God but is constantly being told that he is by the demons that hang out in his mind? Exactly. However the tormented still need to be fed. I made rice so that we would at least agree on something. He had two helpings of boiled hope on a plate. It doesn’t matter if my brother remembers that it was made by me. What does matter is that he survived today’s attempt on his life. If he was God i’d blame him for his insanity but that is not the case. Madness doesn’t need a disclaimer. Nor does pain. Nor does love. Nor does charity. Nor does mercy. We do what we can and sometimes what we must. And in between we eat what is cooked. Unceremoniously. Circumstance usually stays for dinner. God has a plate too.
Oh but Confucius was wrong. Life is not simple and we did not make it complicated. We as in the debtors of this world and the situation we found ourselves in on arrival. Almost everything is chance and timing. An unearned providence. The will of the free is the slave of choice. A long hope is the length of a day times the width of perspective. Some will wait untill the mouth of reason yearns to feed that stretched out and guilty hand of reality. And breathe out the future we rolled the dice to inherit, when their nose of indifference has swallowed up the fragrance of time to drown out the noise of our silent tears stretched across the canvas of our fate. Such violence was born of light returned to sender and unclaimed. Crown your eyes with the love of priceless things and count the cost backwards.
A tower on fire burning lung after the flames were put out and the blood cries out. No Cain at the site of the murder. No justice. Just us. Souls taken up higher than the smoke, fly down to watch the mourners arise to a new day with their heads held up by rage and despair, and hearts bowed down and bowled over by the agony and incredulity of what happened. What really did happen?
We who knew the dead watched the conversation turn to the custody of the truth and the enquiry about the meaning of an event that forever changed the world of those who were loved and unloved in life, death and the afterlife. An afterthought in the aftermath, is the price of life that is haggled in the courtroom. Payment for the life of the dead, is a future for the children of Grenfell. But is it money? Or is it the mercy of confession? A courtroom of lies still engulfs the air, we share breathing space in the now. Two years dead and burried, yet the living have not the forecast of rest. And God be judge of the classified red ink on white papers.
Today is a wedding ceremony. A marriage of possibilities. My cousin has exchanged vows and time will study and tell what it has seen, heard and known under God. Black life like black bodies have long been a surrealistic feast for the voyeuristic eyes of fetishists and fantasists. Joseph Conrad could not open his eyes even behind the safety of his pen, to straddle his imaginative reconstructions of the monolithic burden bearers in the heart of darkness situated in the continent of his mind’s perception.
Baldwin generously invested the deformed and fragmented faces of exotica with the unusual idea that they were worthy of being depicted as fully human, even in a foreign land. The continent is not a country. And a country in this context is not a geographical destination. The poetry of Baldwin is not merely the words sentenced to a page but rather the lives affirmed by his words dancing to the tune past the margins of hate and redeemed by love. In his writings love is the great pacifier even when it sets fire to our expectations and challenges our notions of who is worthy of grace, and the horrors that transgress the invisible inhabitants who are generational custodians of a manifested multifaceted curse with wings.
Barry Jenkins painted the poetry of James Baldwin beautifully in ‘If Beale Street Cold Talk’. Next week lovers around the world will serenade each other with cards, gifts and kisses flavoured with wine and chocolates. Babies will be conceived. Lies will be ever more creative. Truths with be earnest and unsparing. Death will still be in business. Card or no card. Life will go on. Love in its bittersweetness covers the multitude and will endure the fall out. A torn page is the pity that a chapter can afford to lose.
“Love takes off the masks that we fear we cannot live without and know we cannot live within. I use the word “love” here not merely in the personal sense but as a state of being, or a state of grace – not in the infantile American sense of being made happy but in the tough and universal sense of quest and daring and growth.”
– James Baldwin, The Fire Next Time
Wettest eye watering skinned brother on the inside, arachnid crawling out, side eyed, hunger bites the heart of fear, and the killer, mother knows best, knows not the fright that drives him to stomp small creatures and their secrets, like vaporous confessions that rise up with death.
Smoke city. A body burns, like nations, like bodies burning nations. Iraq hid in flames of refutation.
Web swinger, entrapped in the ganda, hung to dry on the rope that pulled him up to the measure of Spider men, climbed into company love of misery and a tail wagged for the milk of magnesia and human kindness, as mythical as the love that murders with good intentions to broadcast.
Charity. Just spare me the charity of words like the vain in life who speak of the ignoble dead, fishing in blood rivers. Dead as purpose of Pompey. Restless in peace.
Patriots are foreigners too. Like poets. Dead ones seem to outlive the living. Their words are the ideas that dreamers cling on to for a fictive future.
The living are dreamers at dawn. Walking on corn toes. Curved. Running the zig zag. They are pragmatic with crayons. And they laugh loud and unclear like the noise they speak.
Home is where the heart is heavy. If you cut through the chatter and chit it’s all bullsweat. Now if you knew where to bury the living, I’d hand you a shovel. No words. No songs. No honour to purchase.
They’ve got that one day exclusive on offer. Get your love at half the pain. All foreign currencies accepted. Faces are guilty but eyes are blameless.
Black bodies. Gold plated hope behind second skin. Black holes for weeping bullets, scream behind screens, unheard trauma scares dreams into a silence so loud that it hurts to hear. No fears to trace, to find the trail of tears that triggers the trigger of cowards and all that we choose not to see. All the cows we milk as they moo. Not yet found like Mother’s love. Away from home. Cold meat on a warm climate. Touch it. Pull. Tear it apart. A human lives behind it. Gold for skin, not cuddled, so dark as to be unseen. So much of night lives in you. Lights up your days. A paradox of mourning. You have known all your life how bright invisibility is. So shiny you didn’t need virtue to polish the skin that hides your identity. When is a human a being? In the womb of contemplation is a seed travelling the possibilities of being alive in a world not yet born.
Red as race. Watching our eyes run down adversaries like rivers that walk tall. Red as danger on demand. A button for comfort. Press down to play up the part you were dressed for. Take flight by peddle and dash forwards, a runner knows the pleasure of pain.
Its always the guy left of centre. And its always a game within a game. No crown. No throne. Just moving pieces.
Picture a world uncaptured that doesn’t own you, but pays no more and no less than what it owes you. A world without music. A world without light. And picture a boy with a shyness that transforms before your eyes into the magic realism of a world of your own imagination. Paint it with tears. Paint it with the sweat of toil that labors feet that know the joy married to pain, in repetition. Paint it with the blood of experience which betrays our imagination. Paint it with the love of song and dance that flies on the light of a smile returning home from the miracle of being born in the weathered land that is ours to tear up and reimagine. Not a song. Just a chord that strikes once or twice in time.