A hanging leaf puts its heart on the line to be noticed.
We’ve only made eye contact.
Soon to touch.
I wouldn’t dare to try and save a hanging leaf.
Soon to fall….
Please don’t watch.
A hanging leaf puts its heart on the line to be noticed.
Inside. You are an outsider and the room knows it. You do not belong to them. The walls stiffen in defence of the inflammed human heart that is present. You will never be of them. The wall knows this fate you bet your fears on. Too swell. Tooth picked. You tilt your hat before they turn you down. You haven’t asked anything of them. Yet. The floor sucks on the sole of your swift footed analysis. Daring you to overthink the feeling that is stirred up in the forest of invention. An idea. What is an idea? Just like us. And nothing alike.
Wet of eyes, the paint sounds the welcome. They despise her too. And her ghosts. Colours come for real. Want all the sparks. All the action that imagination can fire up. They want you to want them too. And you know how they like it. The thickness. The trust in the thrust. The oh so bitter sweetness of us at our worst best. You would buy them if you didn’t already own their desire to have you or the image they paint of you in reflection. And what are you?
Outside. You are an insider with no throne room for Benin’s bronzed hypocrisy, but space for double bedded love making with case sensitive words for a thousand books and one. You make the way, they see through you, what they think you are and never were. Rust of Scarlet, blood conscious to a fault, who would have doubted the waters that ushered you into this world? If you were I and I knew how to speak, I would not paint you into the absence of mind that silence suggests. You haved loved loudly in your time, and the ground will not forget, even if you are never spoken of. All love is memorial but all is not lost. Except to time, when bound to art and held captive by the memories of those we have longed for. And have hungered to know intimately, the internal walls of our lover’s throbbing heart without the shades on.
Breaking through to be inside of you and all you aspire to breathe out into damnation when you dreamed us into the merciless canvas of mortal life and the infinite glory of Agape. How cruel, the truth convicts the dead as though they were sentenced to life in unfinished paragraphs. We have only fallen in love with ideas and risen in the acceptance of our fallacies. The multiverse. The continents. The ocean of oceans that we are. It carries all the Hell and Heaven that resides in us. With us. For we are hung up in the awakening terror of love’s gallery for the broken and torn apart.
“One good thing about music, when it hits you, you feel no pain.”
– Bob Marley
I was not meditating but there are times when I tap into a peace that bounces back up in the abstract of sounds and colours. In this captured moment I put on my Sci-Fi music and reached for my guitar just to see what might happen. Sometimes I like to work out ideas on just one or two strings. Not chords. Single notes. Purples and reds at the bottom of the neck. One note can be everything. It can tell the whole story if placed and timed right. Not to say that it necessarily comes down to the semantics of right and wrong in the creative playground of imagination. It is as much a percussion instrument as anything that hands and feet can hit. The lower E string is home. It gave me my first guitar child, Love Never Fails, but I don’t always arrive at something of permanence. I had an old tape of home made jungle music that I dabbled in for a little while, trying to learn some modern production techniques in 1999 when I got my first computer. I was just throwing ideas out into the ether to see what might happen at a particular bpm. I had also read Octavia E Butler’s Mind Of Mind in my local library within that period or maybe a bit earlier and the images and ideas I got from the Afro-Futurist world of her novel aligned with the sounds and colours I didn’t know I was searching for. Fast forward to a few years ago, and I was now hearing something else in that old jungle music. I started to employ techniques pioneered by the late great Lee Scratch Perry, to strip down and make new out of the old. Just to see what might happen. I dared myself.
Jungle is a true school London sound which had faded out of counter-cultural relevance before the turn of the century but still held up low end sonic value owing much to Black America as most popular music does, and the polyrhythmic continent that we associate with the groove of life. In an ideal world of parity and fairness, The Amen break should have provided financial compensation for drummer, Gregory Coleman, and his bandmates in The Winstons for they and their heirs lifetime. Not to trivialise, but it is no less than the Henrietta Lacks of music samples, perhaps only matched in equivalent significance by Clyde Stubblefield’s Funky Drummer break. A similarly glorious and tragic story. I say this respectfully and without exaggeration. It is a cornerstone of recorded music over the last 30 years. Though Jungle music never truly crossed over, it had its moment in the zeitgeist. And its cult heroes. Goldie whose album, Timeless, marked its emergence from the underground into the homes of taste makers and gatekeepers of perceived cool in the era of Brit-Pop, has been a part of the institution of British music for many years. A purist? I couldn’t say. Whatever that means and for whatever that’s worth. What I do know is that the power of Jungle is visceral and almost indescribable.
I remember going to a Jungle music basement party in Camden with my friend, Beru Tessema (just for the record, this is not a false memory), long after its heyday. The hardcore massive as we would say, were out and they were mostly youngsters. Kids in late adolescence. They didn’t live those years of its come up and scene. Not that I did either. They would likely have been in their primary school years during its peak in the mid nineties and some in infancy. It found them or vice versa before the playlist era. There were mantra like moments when the DJ would mix out the drums and turn up the wobbling, squelching, soul curling bass. Alien textures that was felt. Colours of mystical sounds wildly spraying over everyone like lighter fluid in a sprinkler. Then the drums would come back in and planets in orbit collided or so it seemed. In that heaving space packed with substance fueled low gravity bodies, the intensity was overwhelming. Sweat dripping and filthy. The bass was that dirty and heavy all night. Sexual pummelling of the sensory. All the air was sucked out dry. Flesh watered by sound, and wet as the greatest sex ever consummated in a standing position. Possibly. Perspiration photographs life and holds mysteries by the hand too.
Flares will catch you. Not when you see them coming. Moving cool. Not while she occupies your precious time in mind. Dress rehearse the face you will wear when you are recognised by the heart yours mines for.
Flares will learn you well. Before you turn off the lights that bend at corners. Prosperous cheaters of nature’s law of one, hand out your fate full of the spiced choices you picked off like snipered scabs. Your lowers knew of the powers desire thrusts into language. You can’t speak it. Only of it.
The night awakes with a sack full of stars to wage war with the inventors of sleep, on code, his heart attacks the memories that got lost in his twenties. The left behind that led the blind are now in charge of the past.
Past time, bed for headless heroes who swore, curse the back they broke down on, a table turns, watch me channel all the life of you into now.
Watch them die before they say you were here. I know they want to say goodbye to all they ever thought they knew. You lose again. All they ever dreamed of you was ashes wrapped in grated whispers. Add a little reverb to the scream that travels the celestial highway alongside you. She echoes like the ghosts of Tinder that trail off to moons in studio lots.
It hits different than the shame. A guilt trip to Honolulu by way of Mercury, makes the simp feel beta than never.
Venus knows her clock better than she knows her heart….
Time out of mind, sign out of love, ducked a good one. The bullet didn’t miss. The heart doesn’t belong here.
Harder Than love.
We miss you two
Though we are where you see us
Some people like to tuck their shirt in
Some drummers like to stay in the pocket
Some like to ride waves and rock boats
Some climb trees
Some climb mountains
And some prefer to take their chances
And walk across burning coal
Because they reason that their toes are still on solid ground when Achilles loses courage
And all of them have a reason to believe in the way they wear their hair
A One night sit
Sipped and swallowed
A bitter pill Washed down with stale saliva
The taste of luck on a blue Monday like those kisses that seal red letters
Guts in a whirlpool while you hide in the chaos of the clutter that describes your hobo life in a suitcase
Packed with emotion
Thrust with desire A strike that holds you down
And eyes to watch you slip through the four fingered tension that lives between your slender shoulders
Thrust with desire
A fragrant word sent to exile in the dreams where your fears escaped from love….
Tacky tactics with tactile execution, she blew me a kiss before I watched her die inside her laughter. A barbed wire mystery dressed to tease, concealed her pain with red lipstick, cuckold the prick of needles let loose on the needy old cock that crowed when she played her finest trick (you fell for it too).