Today is a wedding ceremony. A marriage of possibilities. My cousin has exchanged vows and time will study and tell what it has seen, heard and known under God. Black life like black bodies have long been a surrealistic feast for the voyeuristic eyes of fetishists and fantasists. Joseph Conrad could not open his eyes even behind the safety of his pen, to straddle his imaginative reconstructions of the monolithic burden bearers in the heart of darkness situated in the continent of his mind’s perception.
Baldwin generously invested the deformed and fragmented faces of exotica with the unusual idea that they were worthy of being depicted as fully human, even in a foreign land. The continent is not a country. And a country in this context is not a geographical destination. The poetry of Baldwin is not merely the words sentenced to a page but rather the lives affirmed by his words dancing to the tune past the margins of hate and redeemed by love. In his writings love is the great pacifier even when it sets fire to our expectations and challenges our notions of who is worthy of grace, and the horrors that transgress the invisible inhabitants who are generational custodians of a manifested multifaceted curse with wings.
Barry Jenkins painted the poetry of James Baldwin beautifully in ‘If Beale Street Cold Talk’. Next week lovers around the world will serenade each other with cards, gifts and kisses flavoured with wine and chocolates. Babies will be conceived. Lies will be ever more creative. Truths with be earnest and unsparing. Death will still be in business. Card or no card. Life will go on. Love in its bittersweetness covers the multitude and will endure the fall out. A torn page is the pity that a chapter can afford to lose.
“Love takes off the masks that we fear we cannot live without and know we cannot live within. I use the word “love” here not merely in the personal sense but as a state of being, or a state of grace – not in the infantile American sense of being made happy but in the tough and universal sense of quest and daring and growth.”
Wettest eye watering skinned brother on the inside, arachnid crawling out, side eyed, hunger bites the heart of fear, and the killer, mother knows best, knows not the fright that drives him to stomp small creatures and their secrets, like vaporous confessions that rise up with death.
Smoke city. A body burns, like nations, like bodies burning nations. Iraq hid in flames of refutation.
Web swinger, entrapped in the ganda, hung to dry on the rope that pulled him up to the measure of Spider men, climbed into company love of misery and a tail wagged for the milk of magnesia and human kindness, as mythical as the love that murders with good intentions to broadcast.
Charity. Just spare me the charity of words like the vain in life who speak of the ignoble dead, fishing in blood rivers. Dead as purpose of Pompey. Restless in peace.
When I was younger I used to spend a lot of time reading books in libraries. I think Art galleries are similar. One difference is that you can only read the words of a painting with the eyes behind your eyes if its the work of a true Artist. Such a pretentious thing to say but its half true. And the pages of some paintings are left unfinished with or without intention. Thats not as tolerable in books you would find in most books displayed alphabetically in a library. But the abstract ‘truth’ in unfinished paintings often seems much closer to my experience of the world and my perception of reality. The seeing and unseeing in paintings feel more accurate than the specificity of the language conveyed by written words on a page that bends. On the other hand, the written word is crucial. We write so that we might recite. And that is not all. Our malleable eyes are not only made for the glory of painterly visions but for redrafting what we see.
Sunday prayer, a confession of tears that painted the tracks, long enough for three sides of a story, cut time rhythm, my word is gospel when i’m silent I sing the loudest, laughter can’t find where I hid the jokes. Its on you. A pity party only needs a jester for intermission. The crown of clowns is to sweeten the pain of truths told for cheers and jeers, and fears freshly laid out, the city crawls behind you now. A short prayer, longer than we lasted, music makers of myths and heart breakers breaking out of old skin, dead as last night.
Calella leaning, tilting for tips, toes standing up for the streets, with bended hearts so hip to hope. Don’t stain the carpet when you cushion the fall. Don’t rumble young man, and don’t call the law. Don’t scratch the considerate air that carried your balls higher than the crawling Spiders you fear, and the Tuesday flings that booted you out on the curb of slithering desires, bouncing your love into a glass of shampain. Who’d be a patriot for all the basket cases and fresh faced beauties bolted to sleep in their bubbles of pantomime glee. I got you.
Ruffled and relaxed mind surfing on stress, caught a wave before his shirt was pressed, pumped iron the night before last, caught eyes before we digressed into nostalgia, a storied face found burried in her chest, smiles couldn’t hide it, the calm before the raging storm, he didn’t have to force it, the rough behind the painted veil.
Spring departs like the kisses that dressed you down to play grown up games with fisted fears. The visceral image collapses as your heart attacks the mirage we were. I had to write this twice. Say something sweet and spit on it. Then put a foot on it and twist. Fast and hard. That’s how words work. Quick as the sinking sanded song we wobble on in chordination. I had to tie my hands behind my back so that it wouldn’t cheat the eyes that nourished our hopes. Living the lie was almost too good to be true. Work the hips, grind the wrist into action, wreck the moment, burst the balloon, and pop the lock of your bubble headed majesty. Oh we play hard ball with twisted tongues, daring the heart to watch the flight of our shooting Star as it explodes inside our cocoon. I almost caught her watching me lose her to my fantasies. The kink in my armour, comes undone. I almost found me watching her lose us in her astonishment that I could love all the things that made her loathsome in her own eyes. I only loved her soul because I couldn’t afford the possibility of everything wrapped around it. So I lusted after her flesh to make a man out of me. I bit into the fruit of her neck, carefully so as not to tear open her sacred honey coloured skin which illuminated the Temple of her Spirit, to mark her as mine. And I watched her marvel at the pleasure it induced which became ointment for the pain. She dared me into the whirlwind of wreckless abandoned and I surrendered to my nature’s intent. I watched her watch herself knowing it couldn’t last the storm to come. Those secrets between the high fiveing thighs were not the children we had hoped for, but they were ours to burn on the altar of love, for better or worse.
Broadcast news: Woolworths survives in the lined pages of an unwilling Tree that was killed without ceremony, and awaits the trespassing rivers of ink which carry the translated language of the invisible world to tell us something we already know but do not yet recognise.
Brands die. Words live the virtuous lie of fictional truth and tell the tale. Brands lie. Words live the truth of satirical life, more familiar than what we ought to know.
Prostrated swine spreads apart from fortune’s pearls of favour. Belly hanging low. Back facing up to the submissive Sun, teasing the promise of the kill.
I haven’t noticed these flowers before. Although I have known Yellow in the black on black of Black on Black.
The neon siren attracts the gaze of my ears, but I am the still life that is drawn even as I am drawing. Always drawing. My eyes are the lens that persecutes in silence. How loud it persecutes. I am drawn to the mellow Yellow. It is as if the Stars fell to Earth but could not shake off their Heavenly glory. And yet we are never glorious in our own eyes. If our shadows could speak they would surely tell the truth of us when we do not see ourselves. The nude glory. Not the vanity of our perception. Illiterate yet full blown with language. How merciful beauty can be even as our nature rages against us. Black on Yellow. Yellow on Black. Always drawing. Always drawn.