A hanging leaf puts its heart on the line to be noticed.
We’ve only made eye contact.
Soon to touch.
I wouldn’t dare to try and save a hanging leaf.
Soon to fall….
Please don’t watch.
A hanging leaf puts its heart on the line to be noticed.
Inside. You are an outsider and the room knows it. You do not belong to them. The walls stiffen in defence of the inflammed human heart that is present. You will never be of them. The wall knows this fate you bet your fears on. Too swell. Tooth picked. You tilt your hat before they turn you down. You haven’t asked anything of them. Yet. The floor sucks on the sole of your swift footed analysis. Daring you to overthink the feeling that is stirred up in the forest of invention. An idea. What is an idea? Just like us. And nothing alike.
Wet of eyes, the paint sounds the welcome. They despise her too. And her ghosts. Colours come for real. Want all the sparks. All the action that imagination can fire up. They want you to want them too. And you know how they like it. The thickness. The trust in the thrust. The oh so bitter sweetness of us at our worst best. You would buy them if you didn’t already own their desire to have you or the image they paint of you in reflection. And what are you?
Outside. You are an insider with no throne room for Benin’s bronzed hypocrisy, but space for double bedded love making with case sensitive words for a thousand books and one. You make the way, they see through you, what they think you are and never were. Rust of Scarlet, blood conscious to a fault, who would have doubted the waters that ushered you into this world? If you were I and I knew how to speak, I would not paint you into the absence of mind that silence suggests. You haved loved loudly in your time, and the ground will not forget, even if you are never spoken of. All love is memorial but all is not lost. Except to time, when bound to art and held captive by the memories of those we have longed for. And have hungered to know intimately, the internal walls of our lover’s throbbing heart without the shades on.
Breaking through to be inside of you and all you aspire to breathe out into damnation when you dreamed us into the merciless canvas of mortal life and the infinite glory of Agape. How cruel, the truth convicts the dead as though they were sentenced to life in unfinished paragraphs. We have only fallen in love with ideas and risen in the acceptance of our fallacies. The multiverse. The continents. The ocean of oceans that we are. It carries all the Hell and Heaven that resides in us. With us. For we are hung up in the awakening terror of love’s gallery for the broken and torn apart.
While I was tinkering and thinking about whether a Blues guitar solo should share amicable space with an alto saxophone on a number, I was captured by this captivating photograph of Tsehai Essiebea Farrell which led me on a great train of thought for the lyrics to come. Ethiopia had been on my mind recently because of a conversation I had with a great Ethiopian Artist about an awakening he had. A revelation about his place in the world, his vocation, and the micro of the worlds within his wider perception. So much of the telling if not the toiling of life, both in our written past and living present, has much to do with our vantage point and the dubious nature of our muscle memory where matters of the tender heart are concerned. Uncomfortably numb but our eyes never tire of seeing and being seen. Or do they? Do they know? Do they look in on us and play our hand against better judgement? Our windows remain the seducer and the seduced, for perpetuity. It can seem that way. And what is seen is unseen. What is known is a mystery as I am to you. Always the stranger from eye to eye. Yet familiar in some kind of way. Never fully known.
Epigenetic screw face, her gesture is a case load of inquiries. Malefunctional of the dys and the mal and the theme is female in origin. A face pulls at the camera, adjusts its lies till a crooked nose is straight and pointed. The narrowing of words makes the journey longer than the murmuring, he speaks in riddles to compliment her maze of thoughts and side eyes that fall in too deep with the back of his mind.
What did you see? Only the lie of everything I thought I knew. About people I will never know. It is the silence that knows my heart best and honours my pain. No bullsweat. No story to trade for my crocodile tears that part reason from deeply felt confusion. Clearly seen. I still stare. Thirty nine times I was a candle to the flame of fallacy and waxed lyrical just for sake of saying something. And I will never know exactly which long words chased away the feline that stuck me with daggered eyes in my day dream. I never saw her enter the way she left us. But I am awake now with a loaded cock. Pulling on my love, I will not shoot to cure the disease of wanting to be inside her. Let it fester, as time tends to an immortal wound.
Diabolical…if it were a red day and I had a nice face to wear out with cursive words and beauty dribbled out the corner side of yellow eyes, where the tears hide the drinks.
You must have mistaken me for someone you know that you don’t know who knows you. I apologise on your behalf.
These streets seemingly paved with gold know the poverty of spirit of so many victims of choice who walk upon the burdened concrete reality. Not galant in stride. Not jovial in the hop to side step a strangerly neighbour. Yet to meet with fate or her match unmade in Hell. Better the Devil you don’t know at the end of the road you never crossed. Mercy’s mistress wets the night with pitiful tears and a Crocodile drys its eyes.
July juxtapositions strangers and life is an exercise for eyes that lament the unanswerable. Streams of thought drown out the intrinsic fear to ask of who they are and what they know. I often wonder about what they have seen when they gaze at the wind or the silence that screams their middle names out of view.
A man wrestling is a man whistling.
Do you always see ghosts and tell of their whereabouts? Hiding places are the low tide. I never question the voices unheard in the storm of ones incoherence. Or the certainty of the unbelievers in the masquerade. What burden of proof will you wear today? And how will you dress down your despair? Welcome is a mask without a face to invent. I wear every doubt you’ve ever had about me with pride. Shameless like you wouldn’t believe. But then again, most of us were reborn naked. Some of us will die that way
Oh but Confucius was wrong. Life is not simple and we did not make it complicated. We as in the debtors of this world and the situation we found ourselves in on arrival. Almost everything is chance and timing. An unearned providence. The will of the free is the slave of choice. A long hope is the length of a day times the width of perspective. Some will wait untill the mouth of reason yearns to feed that stretched out and guilty hand of reality. And breathe out the future we rolled the dice to inherit, when their nose of indifference has swallowed up the fragrance of time to drown out the noise of our silent tears stretched across the canvas of our fate. Such violence was born of light returned to sender and unclaimed. Crown your eyes with the love of priceless things and count the cost backwards.
A tower on fire burning lung after the flames were put out and the blood cries out. No Cain at the site of the murder. No justice. Just us. Souls taken up higher than the smoke, fly down to watch the mourners arise to a new day with their heads held up by rage and despair, and hearts bowed down and bowled over by the agony and incredulity of what happened. What really did happen?
We who knew the dead watched the conversation turn to the custody of the truth and the enquiry about the meaning of an event that forever changed the world of those who were loved and unloved in life, death and the afterlife. An afterthought in the aftermath, is the price of life that is haggled in the courtroom. Payment for the life of the dead, is a future for the children of Grenfell. But is it money? Or is it the mercy of confession? A courtroom of lies still engulfs the air, we share breathing space in the now. Two years dead and burried, yet the living have not the forecast of rest. And God be judge of the classified red ink on white papers.