Blonde Ambition

Some say Blondes have the most fun. Rage is the orphaned child belonging to all and none. Like all theatre there is drama and comedy. On stage there is pomp and circumstance. Scripted and improvised. We live in the deceptive age of personality and individualism. But the bubble wrapped world of politricks and ticks is not conducive for the soul’s freedom of speech in bodily form. Demostatic like the air. Hair is the common denominator. It grows up. It gets cut down. Chemically relaxed and straightened to death or it hangs loose and long. Curly by nature and nurtured by pharmacy. This is the world. An extinction level game.

United Kingdom

These streets seemingly paved with gold know the poverty of spirit of so many victims of choice who walk upon the burdened concrete reality. Not galant in stride. Not jovial in the hop to side step a strangerly neighbour. Yet to meet with fate or her match unmade in Hell. Better the Devil you don’t know at the end of the road you never crossed. Mercy’s mistress wets the night with pitiful tears and a Crocodile drys its eyes.

 

Songs

It dawned on me this week that its been 20 years since I’ve been writing songs. Over that time I’d like to think that I’ve learnt a few things about music composition and myself. I’ve always loved creating and over the years I’ve enjoyed painting, sculpture, and various genres of writing, but nothing has been as rewarding as seeing the germ of an idea travel through the universe of my heart, mind and soul into a song. It is a thing of wonder. At one point in time I was meticulous in keeping records of my work. Dates and places. Not so meticulous about equipment. I’ve worked with a variety of keyboards on the low bracket and three guitars. I’ve worked closely with one songwriting partner for a period but mostly alone. The gift and the curse is that an idea can take over your life. You persue it, in or out of pocket, whether its affordable to dream it into reality or not. You dream about what a song can be when given its wings. I’ve studied the work of many songwriters, famous and obscure, but when I create, its from the blood of my soul. This year I had the pleasure to complete the recording of a song that meant a lot to me at this stage in my life. I had to wait almost two years to get the artist I wanted to breathe more beauty into what was already the apple of my eye. I still can’t say I’m done with it but the journey is its own reward. I feel fortunate to have written it and the hundreds of others. I am also grateful for the people who have helped me in collaboration. Musicians and engineers. Friends and hired hands. The inspiration has come from every conceivable thought, memory, feeling,…all corners of the human experience. I thank God for my inner ears and the organs that work together with the spirit in me. Curtis Mayfield is one of my many teachers, and I know I wouldn’t have become the songwriter I am without the lessons I learnt from the craftsmanship of masters like him.

 

 

July

July juxtapositions strangers and life is an exercise for eyes that lament the unanswerable. Streams of thought drown out the intrinsic fear to ask of who they are and what they know. I often wonder about what they have seen when they gaze at the wind or the silence that screams their middle names out of view.

A man wrestling is a man whistling.

Do you always see ghosts and tell of their whereabouts? Hiding places are the low tide. I never question the voices unheard in the storm of ones incoherence. Or the certainty of the unbelievers in the masquerade. What burden of proof will you wear today? And how will you dress down your despair? Welcome is a mask without a face to invent. I wear every doubt you’ve ever had about me with pride. Shameless like you wouldn’t believe. But then again, most of us were reborn naked. Some of us will die that way

Rice

“You’re jealous of God!” That’s what the voice inside his head told him to say to me. Of course its a lie. Why would I be jealous of a sick man who is not God but is constantly being told that he is by the demons that hang out in his mind? Exactly. However the tormented still need to be fed. I made rice so that we would at least agree on something. He had two helpings of boiled hope on a plate. It doesn’t matter if my brother remembers that it was made by me. What does matter is that he survived today’s attempt on his life. If he was God i’d blame him for his insanity but that is not the case. Madness doesn’t need a disclaimer. Nor does pain. Nor does love. Nor does charity. Nor does mercy. We do what we can and sometimes what we must. And in between we eat what is cooked. Unceremoniously. Circumstance usually stays for dinner. God has a plate too.

A Proverb Is Not A Promise

Oh but Confucius was wrong. Life is not simple and we did not make it complicated. We as in the debtors of this world and the situation we found ourselves in on arrival. Almost everything is chance and timing. An unearned providence. The will of the free is the slave of choice. A long hope is the length of a day times the width of perspective. Some will wait untill the mouth of reason yearns to feed that stretched out and guilty hand of reality. And breathe out the future we rolled the dice to inherit, when their nose of indifference has swallowed up the fragrance of time to drown out the noise of our silent tears stretched across the canvas of our fate. Such violence was born of light returned to sender and unclaimed. Crown your eyes with the love of priceless things and count the cost backwards.

 

 

Two Years

A tower on fire burning lung after the flames were put out and the blood cries out. No Cain at the site of the murder. No justice. Just us. Souls taken up higher than the smoke, fly down to watch the mourners arise to a new day with their heads held up by rage and despair, and hearts bowed down and bowled over by the agony and incredulity of what happened. What really did happen?

We who knew the dead watched the conversation turn to the custody of the truth and the enquiry about the meaning of an event that forever changed the world of those who were loved and unloved in life, death and the afterlife. An afterthought in the aftermath, is the price of life that is haggled in the courtroom. Payment for the life of the dead, is a future for the children of Grenfell. But is it money? Or is it the mercy of confession? A courtroom of lies still engulfs the air, we share breathing space in the now. Two years dead and burried, yet the living have not the forecast of rest. And God be judge of the classified red ink on white papers.

 

Resurrection

Love arises.

I had a mug of coffee this morning. Much too large. Drank to my tongue’s content. Sweetless. I lost my charger yesterday and a dog bit my brother in the place where the nail went through Christ. No lie. It dawned on me. That’s just the noise though. It scatters like fragmented thoughts.

Its day 3 and passing over the amalgamated sweat stains of the years behind is like passing through the blood. Collected. Calm waters. Passing through the cup of storms. I’m not bitter. But like the cup of sugar free coffee, I drank to fulfill a ritual of my being alive. The sweetest taste is hope. And while the bread is without yeast it has all the flavour and colour of all the life I see before me. Glory is the path of pain and ressurection. Death lives in the middle. Stalking life. Salty. “Choose me. I want you to choose me”. And it begs to be noticed where life once stood erect and love bowed on bended knees. Like the mourning. It claims a temporary victory in an eternal contest and unlike its feathered cousin, it loses its way. Its only way. Once the fear of death is conquered, the fear of life is less potent. Love arises where death has no surprises.

Curtis

Curtis’s hands were important. Not more than his heart. When he recorded his last album he had only the use of his neck and the head attached to it which housed his genius mind to do the work of breathing out hope into a world that had tasted too many losses to inhale the optimism extolled through music. His heart still functioned effectively and the evidence of soul and spirit was still audible. Lying on his back he recorded one short phrase at a time. Phrase by phrase, a word became a line of lyric. Phrase by phrase, a line of lyric became a verse. And then a chorus. And then a bridge. Curtis’s hands remained still and silent through this process. The eyes watched and waited for something that the hands knew would never happen again. Curtis could not find feeling in the physical form of hands that had mastered a style of guitar playing that was unique to himself. Hands that shaped sounds for Hendrix and Marley to study. Hands dramatically and unwillingly put to rest. And this is why those hands are a great teacher. In their absence of use he martialed the figurative hands that survived the destruction of his body, from the neck that shouldered the weight of his head, with a voice which expressed his deepest feelings in song. A lifetime’s worth of wisdom and openess to the mysteries of life. I remember listening to New World Order and being humbled by Curtis’s generosity of spirit, and in awe of what he accomplished in terms of sonic life affirmations in such desperate circumstances. The testament of the spirit when it intersects with the divine is all one can hope for when one puts in the work of exhalation. Curtis Mayfield’s musical soul holds the hands that raise up the weary hearted head of hurts. Unbowed.

 

Baldwin

Today is a wedding ceremony. A marriage of possibilities. My cousin has exchanged vows and time will study and tell what it has seen, heard and known under God. Black life like black bodies have long been a surrealistic feast for the voyeuristic eyes of fetishists and fantasists. Joseph Conrad could not open his eyes even behind the safety of his pen, to straddle his imaginative reconstructions of the monolithic burden bearers in the heart of darkness situated in the continent of his mind’s perception.

Baldwin generously invested the deformed and fragmented faces of exotica with the unusual idea that they were worthy of being depicted as fully human, even in a foreign land. The continent is not a country. And a country in this context is not a geographical destination. The poetry of Baldwin is not merely the words sentenced to a page but rather the lives affirmed by his words dancing to the tune past the margins of hate and redeemed by love. In his writings love is the great pacifier even when it sets fire to our expectations and challenges our notions of who is worthy of grace, and the horrors that transgress the invisible inhabitants who are generational custodians of a manifested multifaceted curse with wings.

Barry Jenkins painted the poetry of James Baldwin beautifully in ‘If Beale Street Cold Talk’. Next week lovers around the world will serenade each other with cards, gifts and kisses flavoured with wine and chocolates. Babies will be conceived. Lies will be ever more creative. Truths with be earnest and unsparing. Death will still be in business. Card or no card. Life will go on. Love in its bittersweetness covers the multitude and will endure the fall out. A torn page is the pity that a chapter can afford to lose.

“Love takes off the masks that we fear we cannot live without and know we cannot live within. I use the word “love” here not merely in the personal sense but as a state of being, or a state of grace – not in the infantile American sense of being made happy but in the tough and universal sense of quest and daring and growth.”

– James Baldwin, The Fire Next Time