Miles

A complex beast is the capacity to make music that is more humane than we can sometimes be to each other. The horn plays the player as much as the player plays the horn. Francis might have been the miles of music he heard after she was gone. Do we always hurt the ones we love the most? And did that thought ever cross his mind?

Here in this candid moment we project the idea of him that is safest for us to hold. The totality of a life is not safe to hold. We are dangerous terrain and our journey to meet each other might be on an unpaved road. The sign says I Dare You. Travelling miles alongside you to discover a fraction of the universe that you are, is several lifetimes we will never live. But you can play Blue In Green. It will tell you something. Maybe enough to go down that unpaved road of the lover you uncoiled for.

Light

Perhaps the light knew something I didn’t before I walked into studio C without a plan. Just loose ideas and the accumulation of years lived. The life I’ve been privileged to endure and delight in, tells on itself on such occasions as this one. Both sides of a coin put in a bid for what my heart subconsciously knows. I’m still learning to speak an old language.

Cello

Your mind drinks the sound of rain. Nurtures peace. Paints possibilities. Come take your bow and find your sweet music in me. Play your song as tender as a mother’s embrace. I won’t leave you for treasures of Gold. We are bound as one. Night and brown. Round in tone. We chase dreams for fun. And when I hear your voice speak through the hollow of my body, it resonates in the realm of the unseen. A language for healing hurts. We escape into the melody. A step ahead of the drift but not too far behind the beat. The tempo of my heart quickens when I see you smile in C sharp. Your joy dances across the strings that keep me sane. 

In a world of sand papered expressionists. Of clowns with crooked faces, and shiny knights made of Marzipan wishes come true, I find you in those quiet moments when the noise of grown ups fades into the shadows with your tears. I’ll never leave you for Emerald and Sapphire.

Play me again when I’m old and despised. I’ll be in the hollow waiting for you to release me from the indigo silence, that we might travel once more into new colours unimagined. Brighter than we ever sounded before. Lighter than the weight of careless words aimed at us. Stronger than fear’s hope to bring us down below the groove of love. Not for Ruby and Amethyst

Play me

Not for Diamond and……

Play me

Monk

Monk like, walking side ways to go forwards two chords ahead of cowardice, where’s the change? Front to the future, grim reaper’s keeper, swine snatches pearls before you ever caught the wind’s tail. A race?

Like walking backwards to see the ending before it all began, and how I made you feel so good before you knew me. Shall we dance my dear?

A question worn out, big toe poking out of socks, sucks to be this free without a new world to unmask. I might be everything you ever wanted, just arrange the parts around my heart, its tough to kill and too easy to die. Again?

Walking forwards, to find the back of you, we chain our eyes to red dot secrets, and embrace lasers like lovers headed to the guillotine, defy life at your own risk, to fall in, all the way down, take a left turn at the corner of your doubts, I am all your fears come true, your worst mistake and your best decision. Now?

Adverts

One of three. Three. Free. Wanting to be. Young Disciples had that song back in the day about wanting to be free. Its called Freedom Suite. A beautiful work in three movements or parts. Carleen sang with such authority about a longing for a state of being that is not conferred on everybody. The freedom to be. Just to be. Human. To be people. Who share gifts during pagan holidays. And eat a lot during that time. Most likely, such people will have family over, and share in the merriment of that moment. It might or might not be Turkey at that table. It might be Chicken wings. Or Egusi soup. Akara. Plantain. Or good old roast potatoes with beef and gravy.

“Still in your mind all we do is keep wandering and gathering, spear chucking and dancing. You imply we must prove to you that we deserve freedom.”

Wanting to be…..

Just to be….

Being….

Human….

Human Being…

Wanting…

Free….

Just to be…..

Down

You are my lower E string. You pulled me down to the depths. I have been with you all my years. And all my wars were fought with you. It is calm now. You gentle away the chaos. Long before I was chained to your wind, the ground held me tight. I looked down and never fell too hard to hurt you. Just in love.

Continents

Was it fundamental to die before we ever got to learn about who we were? Our second birth gave us skin. We await our humanity on the third go round. The unreturned, who never knew sleep didn’t discern the need to play on the hallow ground or ween on the blood of sacrifice.

Basil chases the child who runs into walls. Transparent heart is planted in a climate of hate. Lucent as the dark covering, lashes closed the eyes they never used. See through your sounds, the blind mouth utters crimes of thought, a berry too sweet to swallow all at once.

Drown deep slowly. You are continents of water. Drown long and timeless. You are bodies of murder. Drown soft, you are but a baby in all your lifetimes spent searching for your soul. 

Clementine

Clementine kisses you on the nose. Rose button drowned in your eyes. I drank your milk of kindness through my lies. Red wine and coke, you must play through the madness. Best thing you ever heard in your blindness. Muted tongue on pause bites the lip that feeds you. I remember what mama told me. And I remember you. Oh so tall in stature till they bent you over the bullsweat. They have teeth to match your fangs. And tongues of fire to heat up your secular soul. It burns just as hot on the outside of the inn. Keep it. She’s a keeper said nobody but your gentrifried mind. The flame dies but twice. Let it burn like the bushes of vanity, skin deep and heart swept feet off the ground, you put the foot in the mouth but forgot to bite down on it. Deep dead on it. Liver for the thrill. Killer of sheep you ran through the mill on a goose chase for the ages. Bronzed behaviour patterns after laughter and the clock is tocking.

Songs

It dawned on me this week that its been 20 years since I’ve been writing songs. Over that time I’d like to think that I’ve learnt a few things about music composition and myself. I’ve always loved creating and over the years I’ve enjoyed painting, sculpture, and various genres of writing, but nothing has been as rewarding as seeing the germ of an idea travel through the universe of my heart, mind and soul into a song. It is a thing of wonder. At one point in time I was meticulous in keeping records of my work. Dates and places. Not so meticulous about equipment. I’ve worked with a variety of keyboards on the low bracket and three guitars. I’ve worked closely with one songwriting partner for a period but mostly alone. The gift and the curse is that an idea can take over your life. You persue it, in or out of pocket, whether its affordable to dream it into reality or not. You dream about what a song can be when given its wings. I’ve studied the work of many songwriters, famous and obscure, but when I create, its from the blood of my soul. This year I had the pleasure to complete the recording of a song that meant a lot to me at this stage in my life. I had to wait almost two years to get the artist I wanted to breathe more beauty into what was already the apple of my eye. I still can’t say I’m done with it but the journey is its own reward. I feel fortunate to have written it and the hundreds of others. I am also grateful for the people who have helped me in collaboration. Musicians and engineers. Friends and hired hands. The inspiration has come from every conceivable thought, memory, feeling,…all corners of the human experience. I thank God for my inner ears and the organs that work together with the spirit in me. Curtis Mayfield is one of my many teachers, and I know I wouldn’t have become the songwriter I am without the lessons I learnt from the craftsmanship of masters like him.

 

 

Curtis

Curtis’s hands were important. Not more than his heart. When he recorded his last album he had only the use of his neck and the head attached to it which housed his genius mind to do the work of breathing out hope into a world that had tasted too many losses to inhale the optimism extolled through music. His heart still functioned effectively and the evidence of soul and spirit was still audible. Lying on his back he recorded one short phrase at a time. Phrase by phrase, a word became a line of lyric. Phrase by phrase, a line of lyric became a verse. And then a chorus. And then a bridge. Curtis’s hands remained still and silent through this process. The eyes watched and waited for something that the hands knew would never happen again. Curtis could not find feeling in the physical form of hands that had mastered a style of guitar playing that was unique to himself. Hands that shaped sounds for Hendrix and Marley to study. Hands dramatically and unwillingly put to rest. And this is why those hands are a great teacher. In their absence of use he martialed the figurative hands that survived the destruction of his body, from the neck that shouldered the weight of his head, with a voice which expressed his deepest feelings in song. A lifetime’s worth of wisdom and openess to the mysteries of life. I remember listening to New World Order and being humbled by Curtis’s generosity of spirit, and in awe of what he accomplished in terms of sonic life affirmations in such desperate circumstances. The testament of the spirit when it intersects with the divine is all one can hope for when one puts in the work of exhalation. Curtis Mayfield’s musical soul holds the hands that raise up the weary hearted head of hurts. Unbowed.