“His own perception of himself as ugly derived from features inherited from his black great-grandfather; nevertheless, he persued love affairs with some of the most beautiful women of his time.” – Elaine Feinstein
I’ve been wanting to delve deeper into Puskin for a good while. The so called father of Russian literature was a fascinating guy. Almost as ink worthy as his African ancestor, Gannibal, the ‘great’ Moor of Petersburg. Great as in a man counted worthy of the position and honours bestowed on him. All biographies have to be taken with a pinch of sea salt as it is impossible to imprison the fullness of a human being in words. But there have been earnest attempts that bring us a little closer to the inner workings of people who have turned pages and stamped an impression of something resembling a virtue of the soul and spirit of a human being. If the genius of Pushkin is considered in the fullness of who he was or assumed to be, then words can only reduce him. Yet words were the tools of a craft he mastered and was subsequently made a servant of. Gannibal did not have such concerns, it would seem.
I wonder how much of his ancestor who acquired noble distinction, informed and impressed the young Artist who would become the literary conscience of a zealot nation. Who did he see in his past and future reflection? His children are Dostoevsky and Nabokov, but they were not tainted by the questions in his blood. They inherited his noble literary service to country, comrade, and the human condition. A poetry of conscience which stirs like an insomniac in the restless, earthbound night that writes one side of a story and notion of truth into a fictional world for consuming eyes to reassemble beyond the page. Onegin is not a novel in verse. It is poetry and song restrained by form. Words that speak of lives that burn and crash like waves carried by a storm in rage. Pushkin is a strong drink of passion. Vodka perhaps.
White of eyes. Framed in the frame. Blood brother of brutality’s murder rhymes slips off the tip of his tongue and civilisation is lost.
Undigested malady, hoist me on the shoulder of your affection. I do not exhale a priceless thought. You are not reading me. A page has yet to turn, like a neck to see if you are looking back at the beauty which momentarily passed you by. Like life. Like an idea, swift uppercut and pasted on your heart. I have lived your sighs. The marks on the bitten end of your chapters are mine. Dog eared. Black of lies. Yellow on top. I am writing you into me.
They mispoke my name once and again. I am besides those whose eyes can not see clearly enough to fly. Beside pages of pain or painted refrain of ages gone slow, to be born again. The oldest child is the mirror of the man who denies himself the peace of reason and souls burn on the wavelength of insanity. Words out of order. A semblance of order. A reason not forthcoming. The questions of why. The long endings that do not end on goodbyes. Is that true?
True say we say it means something but it is not true to say that we know the answers to the questions of why the white of eyes and black of lies behave the way they do. Greys integrate well with blue beards, if you let them live amongst the masses that breed on unstroked chins. Up is down and down is out but who is counting up the hairs on chins that have not been stroked and greased with questions in bed with questions that plague your head of aches? And the red noise of information which feast on your white of eyes? So green, so low down, so dependant on the drug of knowing. And what do we know? Who are we? What are we? Why are we? A mystery to ourselves. To each other. Yellow on black. Or of it.
Godmother of reality and her children suffer, blows of reckoning, headshots, eyes reddened, and unrecognised as the hugs of Joe. Snatched at death. Woe the tides that come to sweep laughter off the shores of John Doe, lamentable dreamers of our digital days, nightless and wide screened. Wide as fear stretches intrusively into the safe space. Enchanted tears roll back the years of sleep.
Dangerous nonchalance, tame the tongue as one would tame the Shrew.
Nigger owes you when it owns you,
tie the rope around the neck, choke the spirit behind the word till it sounds like Reggin.
Old words in new clothes begin aggin with new clothes on old pain.
Healers like dealers, double up on bad luck for crowned faces cried out in biro blue.
Thorny headed healers for troubled heart, trembling lips sip from the pimp cup, your child drinks your tears through breast milk, breathe easy baby.
Atom bombs don’t need to play tit for tat and title, like men in suits. It’s the long game. And the short of it. The certainty of it is that nobody wins. But we already know how this plays out. What’s clear is not new. Hiroshima had a baby that had a baby that had a heart beat that had a memory that did not forget.