Two Years

A tower on fire burning lung after the flames were put out and the blood cries out. No Cain at the site of the murder. No justice. Just us. Souls taken up higher than the smoke, fly down to watch the mourners arise to a new day with their heads held up by rage and despair, and hearts bowed down and bowled over by the agony and incredulity of what happened. What really did happen?

We who knew the dead watched the conversation turn to the custody of the truth and the enquiry about the meaning of an event that forever changed the world of those who were loved and unloved in life, death and the afterlife. An afterthought in the aftermath, is the price of life that is haggled in the courtroom. Payment for the life of the dead, is a future for the children of Grenfell. But is it money? Or is it the mercy of confession? A courtroom of lies still engulfs the air, we share breathing space in the now. Two years dead and burried, yet the living have not the forecast of rest. And God be judge of the classified red ink on white papers.

 

Resurrection

Love arises.

I had a mug of coffee this morning. Much too large. Drank to my tongue’s content. Sweetless. I lost my charger yesterday and a dog bit my brother in the place where the nail went through Christ. No lie. It dawned on me. That’s just the noise though. It scatters like fragmented thoughts.

Its day 3 and passing over the amalgamated sweat stains of the years behind is like passing through the blood. Collected. Calm waters. Passing through the cup of storms. I’m not bitter. But like the cup of sugar free coffee, I drank to fulfill a ritual of my being alive. The sweetest taste is hope. And while the bread is without yeast it has all the flavour and colour of all the life I see before me. Glory is the path of pain and ressurection. Death lives in the middle. Stalking life. Salty. “Choose me. I want you to choose me”. And it begs to be noticed where life once stood erect and love bowed on bended knees. Like the mourning. It claims a temporary victory in an eternal contest and unlike its feathered cousin, it loses its way. Its only way. Once the fear of death is conquered, the fear of life is less potent. Love arises where death has no surprises.

Baldwin

Today is a wedding ceremony. A marriage of possibilities. My cousin has exchanged vows and time will study and tell what it has seen, heard and known under God. Black life like black bodies have long been a surrealistic feast for the voyeuristic eyes of fetishists and fantasists. Joseph Conrad could not open his eyes even behind the safety of his pen, to straddle his imaginative reconstructions of the monolithic burden bearers in the heart of darkness situated in the continent of his mind’s perception.

Baldwin generously invested the deformed and fragmented faces of exotica with the unusual idea that they were worthy of being depicted as fully human, even in a foreign land. The continent is not a country. And a country in this context is not a geographical destination. The poetry of Baldwin is not merely the words sentenced to a page but rather the lives affirmed by his words dancing to the tune past the margins of hate and redeemed by love. In his writings love is the great pacifier even when it sets fire to our expectations and challenges our notions of who is worthy of grace, and the horrors that transgress the invisible inhabitants who are generational custodians of a manifested multifaceted curse with wings.

Barry Jenkins painted the poetry of James Baldwin beautifully in ‘If Beale Street Cold Talk’. Next week lovers around the world will serenade each other with cards, gifts and kisses flavoured with wine and chocolates. Babies will be conceived. Lies will be ever more creative. Truths with be earnest and unsparing. Death will still be in business. Card or no card. Life will go on. Love in its bittersweetness covers the multitude and will endure the fall out. A torn page is the pity that a chapter can afford to lose.

“Love takes off the masks that we fear we cannot live without and know we cannot live within. I use the word “love” here not merely in the personal sense but as a state of being, or a state of grace – not in the infantile American sense of being made happy but in the tough and universal sense of quest and daring and growth.”

– James Baldwin, The Fire Next Time

Wettest Eye

Wettest eye watering skinned brother on the inside, arachnid crawling out, side eyed, hunger bites the heart of fear, and the killer, mother knows best, knows not the fright that drives him to stomp small creatures and their secrets, like vaporous confessions that rise up with death.

Smoke city. A body burns, like nations, like bodies burning nations. Iraq hid in flames of refutation.

Web swinger, entrapped in the ganda, hung to dry on the rope that pulled him up to the measure of Spider men, climbed into company love of misery and a tail wagged for the milk of magnesia and human kindness, as mythical as the love that murders with good intentions to broadcast.

Charity. Just spare me the charity of words like the vain in life who speak of the ignoble dead, fishing in blood rivers. Dead as purpose of Pompey. Restless in peace.

Patriots

Patriots are foreigners too. Like poets. Dead ones seem to outlive the living. Their words are the ideas that dreamers cling on to for a fictive future.

The living are dreamers at dawn. Walking on corn toes. Curved. Running the zig zag. They are pragmatic with crayons. And they laugh loud and unclear like the noise they speak.

Home is where the heart is heavy. If you cut through the chatter and chit it’s all bullsweat. Now if you knew where to bury the living, I’d hand you a shovel. No words. No songs. No honour to purchase.

They’ve got that one day exclusive on offer. Get your love at half the pain. All foreign currencies accepted. Faces are guilty but eyes are blameless.

Not Yet

Black bodies. Gold plated hope behind second skin. Black holes for weeping bullets, scream behind screens, unheard trauma scares dreams into a silence so loud that it hurts to hear. No fears to trace, to find the trail of tears that triggers the trigger of cowards and all that we choose not to see. All the cows we milk as they moo. Not yet found like Mother’s love. Away from home. Cold meat on a warm climate. Touch it. Pull. Tear it apart. A human lives behind it. Gold for skin, not cuddled, so dark as to be unseen. So much of night lives in you. Lights up your days. A paradox of mourning. You have known all your life how bright invisibility is. So shiny you didn’t need virtue to polish the skin that hides your identity. When is a human a being? In the womb of contemplation is a seed travelling the possibilities of being alive in a world not yet born.

 

Seeing

When I was younger I used to spend a lot of time reading books in libraries. I think Art galleries are similar. One difference is that you can only read the words of a painting with the eyes behind your eyes if its the work of a true Artist. Such a pretentious thing to say but its half true. And the pages of some paintings are left unfinished with or without intention. Thats not as tolerable in books you would find in most books displayed alphabetically in a library. But the abstract ‘truth’ in unfinished paintings often seems much closer to my experience of the world and my perception of reality. The seeing and unseeing in paintings feel more accurate than the specificity of the language conveyed by written words on a page that bends. On the other hand, the written word is crucial. We write so that we might recite. And that is not all. Our malleable eyes are not only made for the glory of painterly visions but for redrafting what we see.

 

I Can’t Find Your Name

Paved in stone. Engraved. Embalmed. Footsteps trespass. Distress wont get it tonight. Blame the vain in you and your two headed horror of an attitude, lives beside lonely in the multiverse with mistress mirror tacked on. 

Tacky tactics with tactile execution, she blew me a kiss before I watched her die inside her laughter. A barbed wire mystery dressed to tease, concealed her pain with red lipstick, cuckold the prick of needles let loose on the needy old cock that crowed when she played her finest trick (you fell for it too).

Two whores in a harlot system governed by well dressed fear barely making it past the Pavilion cafe on stilts, throw curve balls when gun play is headed their way. And only one sees it. Swinging hard on her wave length he reaches out a hand to gently persuade tears out of her eyes. And she wonders who’s zooming who. 
Trespassing footsteps embalmed with the ointment of sorrows, loaned for a lifetime or a lunch hour, unforgiven by the debtor of dubious deeds who engraves tombstones of the soon to be forgotten and your name, not your handle on the matter at hand when light bends the truth. And love might yet find it.

A Refrain

Tomorrow will not be a work in progress before a refrain,
(before) the rain settles, and snow falls,
and they raise a hand to strike my cheek or wipe my
brow. I hold the pearl in my eye (the other hand), and
plant the seed of graceful song, and rub the soil
between soft palms (when we see eye to I), before
lost trains of thought, we wore our best years at a
distant glance, and thought we’d meet on Andalusian
hills, to dine with dreams we didn’t make, to share
stories we haven’t lived, and paint pictures we could
scarcely imagine.

Tomorrow will not be an excuse for today’s unfinished
business, talkin’ bout how good it feels to get another
chance at life’s poker table, to play your five
stringed instrument, like a child making three special
wishes by a fountain, with your lungs pumped full of
hot air, and the mercy of the wind at the back of your
neck, to dabble again, and maybe with a little lady
luck, razzle, dazzle a fortune born of sweat beads and
high blood pressure, and fly you away on a ready made
bed of thornless roses, with a song in mind for when
you cross over, hoping that the hill won’t roll over,
when tomorrow strikes you and your waterfall
resolutions, slippery, just as quickly, money like
water trickles through fingers, pressed together,
pockets shut tighter than fists, breath held longer
than destiny’s late shifts, but you don’t feel much
younger than first love, now dare you ask older,
wiser, brother, sister, friend in disguise, what the
wind behind your back is saying, when she ain’t
blowing you away. The voice I hear says, “What you
don’t do today will not deliver you tomorrow”, as
surely as one day bears no resemblance with another.
Tomorrow will be decided today.